I’m back on the lists. Call it a compulsion. There will be more before the month is out…
This comes from Iron Tongue of Midnight via Boulezian and Entartete Musik, and the idea is simple: disregarding expense and all of the other inconveniences that the director of any opera house presumably encounters, put together a fantasy opera season. Let’s say a (very) generous fifteen operas, only one allowed per composer.
My own list, as you will see, makes gestures towards music theatre, without, I think, straying too far into musical territory, which is probably off limits. And I have included some operas I know only a little, if at all. That’s a necessity, given my lack of knowledge. For greater aficionados than I, this is a chance to stage the obscure operas they long to see. By and large, my list occupies the mainstream. I would be interested to see yours.
Some major omissions, I know. No Italian opera at all, apart from Figaro. And I feel a little bit ashamed to have no Handel or Berg. But of course I have to leave a few things in store for next season. A revival of Robin Holloway’s Clarissa will be near the top of the list. And HK Gruber’s Gomorra, which I have not quite given up hope of hearing in full one day.
Given that this is a fantasy, why not include unwritten operas? Britten’s plans for an opera of King Lear never came to fruition. Which opera would you commission, and from whom? I’d like to see an opera of Rattigan’s Browning Version, but I haven’t yet pinpointed a composer who might be able to do it justice.